Last month I was honored to be featured on the cover of Seattle’s jazz publication Earshot Magazine. You can read the article here! You can also view my favorite defacing of the cover here:
In other news, Happy Orchestra is performing at Nectar Lounge every Tuesday night in December! We’re also using the shows as a food drive for Northwest Harvest so bring some nonperishable food, look for the donation box at the venue, and have some fun while doing some good in your community. A list of suggested foods can be found here.
Thanks for the love and support, I’ll see ya at some shows.
My father passed away in June. At the time, I had planned to move to New York in the fall but, in the aftermath, decided to stay in Seattle to regain my bearings and keep making music with the incredible musicians I love and am lucky enough to work with. I played with Joe Doria and Dan Heck the night he died and was immediately reminded of the healing strength of what I get to do. Playing served as one of the few things that made me present and pulled me out of the darkness, helping to slowly rebuild the drive and energy I lost in the weeks afterwards.
So I want to thank Joe, Dan, Tim Kennedy, Andy Coe, Skerik, Ian Sheridan, Thomas Marriott, RL Heyer, Kate Olson, Neil Welch, Tim Carey, Brad Gibson, the many others I’ve played with since, and the wonderful women of The Tiptons who I’m about to tour with and know will leave me feeling warm and full. I’m going to stay in Seattle for now, play with my friends, work on the Happy Orchestra record that’s sounding SO good (see below), and stay happy.
The Happy Orchestra record got its start in January with a day-long session of rhythm section tracks. We got foundations for about half of the record, a snippet of which you can hear at the successfully-funded Kickstarter Update Page. Check it!
Happy has also been nominated 2015 Alternative Jazz Group of the Year in the Earshot Jazz Golden Ear Award poll. You can vote over at earshot.org until March 10th, and while you’re there read my Ask a Jazz Musician column from the January and February issues.
It’s been about a year of writing, rehearsing, and performing with Happy in its many sizes and flavors. Whether a trio in a tiny bar or the six-piece lineup on a venue stage, it’s been important to me that I’m surrounded with humans I love and respect both as musicians and people. I’m lucky enough to live in a place where that’s an easy reality to create, and now it’s time to document that reality and share it with all of you!
Over the next year I’m bringing these people together to make a record that paints a picture of the incredible musical landscape we live in. The record will feature the stellar musicians who have played with Happy so far including Skerik, Thomas Marriott, Andy Coe, Tim Kennedy, and Ian Sheridan, and a few who have yet to join the fold like Damian Erskine and Brian Haas.
Visit the Kickstarter Page to read more, check out the rewards, and support the music!
This is Jessica Lurie. JUST LOOK AT HER. A modern Mona Lisa. Her kind visage belies the burning intensity within, a theme that translates perfectly to the music she writes and performs. There’s an ever-present sweetness and humor to her sound that’s braced by the muscle and fire she carries with her at all times, and I’m honored to be playing with her and a group of similarly equipped badasses in the coming days.
See and hear Jessica’s Instant Light Ensemble with Bill Horist, Rene Hart, and myself here:
Mon, Oct 26 @ Rhythm & Rye Olympia, 8pm
Wed, Oct 28 @ 90.7FM KBOO Portland, 3pm
Wed, Oct 28 @ Analog Cafe & Theater PDX, 8:30pm
Thu, Oct 29 @ The Jazz Station Eugene, 8pm