Take a listen, share, and download the album on Bandcamp, iTunes, Amazon, or Spotify! It’s been a long road. Thank you for the love and support.
– #5 on KEXP Northwest Music Chart
– Nominated NW Recording of the Year, 2018 Earshot Jazz Golden Ear Awards
– Rated 4 Stars at All About Jazz
“Happy Orchestra in a way encapsulates the jocular personality of its creator and leader, blending overwhelming positivity with virtuosity, utilizing the talents of some of the top jazz and funk soloists on the west coast. While the music may express the intricacies of modern jazz expressionism, it never loses sight of its soulful, horn powered grooves, supported by the rhythmic virtuosity and leadership of Abouzied on drums.”
Recently I’ve become acquainted with Jukely, a subscription-based web service that, for a $25 monthly fee, gives music-goers the ability to attend “unlimited” shows without paying a cover charge. There are limitations to the service in that not all venues/concerts are available through their site, each concert has a limited number of passes, and, from what I understand, subscribers can only reserve a spot for one concert at a time. On the back end the service will pay the venue less than 50% of the ticket price for each member who attends a show.
Even with these limitations, as someone trying to figure out a sustainable (read: non-punishing-debt-accruing) way to perform quality music with professional musicians, this seems like a way for people who are entirely removed from the creative process to insert themselves between musicians and their audience while A) extracting money from that interaction, B) adding nothing of value to it, and, most importantly, C) driving down the perceived cost of live music. Continue reading Jukely: Another Tech Company Undermining Artists